衣领上的唇印已完结
Relying on Heaven to Slaughter Dragons
- Giles Thomas Ewan McGregor Louise Germaine Peter Jeffrey Clive Francis
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已完结
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2024-03-21 15:37:13
衣领上的唇印剧情介绍
影片名称：衣领上的唇印
影片别名：yilingshangdechunyin
上映时间：1993年
国家/地区：英国
影片类型：美国剧
影片语言：英语
影片导演：
影片主演：Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis
资源类别：全集完整未删减版
资源更新：已完结
总播放次数：0
导演执导的《衣领上的唇印》，1993年上映至今获得了不错的口碑，由Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis等主演的一部不错的美国剧。
衣领上的唇印剧情：
The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.
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